- This is, of course, what happens when you bring a sonic screwdriver to a lightsaber fight.
- Or vice-versa.
Awesome comment
I just saw an I HEART ME sticker on a long and lustrous
new black Bentley. We are in experimental territory.
new black Bentley. We are in experimental territory.
“
| — | Walter Kirn (via nevver) |
In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest where no-one sees you, but sometimes I do, and that sight becomes this art.
“
| — | Rumi (via lazyyogi) |
From Michael Marten’s series, Sea Change, which explores rising sea levels from regular tides and also climate change. His statement:
‘Sea Change’ is a study of the tides round the coast of Britain. The views in each diptych are taken from identical positions at low tide and high tide, usually 6 or 18 hours apart.
I am interested in showing how landscape changes over time through natural processes and cycles. The camera that observes low and high tide side by side enables us to observe simultaneously two moments in time, two states of nature.
Recent landscape photography often focuses on human shaping (and reshaping) of the environment - urbanisation, globalisation, pollution. Even when critical and committed, this approach can emphasise, even glamorise, humankind’s power over nature. I’m interested in rediscovering nature’s own powers: the elemental forces and processes that underlie and shape the planet.
The tides are one of these great natural cycles. I hope these photographs will stimulate people’s awareness of natural change, of landscape as dynamic process rather than static image. Attending to earth’s rhythms can help us to reconnect with the fundamentals of our planet, which we ignore at our peril.
‘Sea Change’ also comments on climate change. The tide floods in and quickly recedes again, but rising sea levels will flood our shores and not recede for thousands or millions of years. Many of the views in these pictures may have disappeared in 100 years’ time.
— Michael Marten
Cool.
